[{"img":"2503/30/w3wqdond53pym3rwtii1743315998723.jpg","width":1160,"text":"","content":"","height":1450},{"img":"2503/30/gaknzwjcdjhjngbb0ng1743315998723.jpg","width":1135,"text":"","content":"","height":1419},{"img":"2503/30/xr9pg1ffkrufzhj46e81743315998723.jpg","width":1155,"text":"","content":"","height":1444},{"img":"2503/30/cf8at7hcubj2fa1j02q1743315998723.jpg","width":1153,"text":"","content":"","height":1441},{"img":"2503/30/u3aa250bnhq3h2m6mjg1743315998724.jpg","width":1150,"text":"","content":"","height":1438},{"img":"2503/30/xhizz3su53mjvdu0nfj1743315998724.jpg","width":1085,"text":"","content":"","height":1356}]
通过快门速度控制实现的虚实处理,在二维平面构筑了四维时空感。前景行人的相对清晰与背景人群的流体化模糊,形成「时间差速带」,既保留叙事主体性,又暗示都市人流的匿名性本质,这种手法常见于现代主义街头摄影的时空解构。通过快门速度控制实现的虚实处理,在二维平面构筑了四维时空感。前景行人的相对清晰与背景人群的流体化模糊,形成「时间差速带」,既保留叙事主体性,又暗示都市人流的匿名性本质,这种手法常见于现代主义街头摄影的时空解构。
评论 0 :