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Duane Michals,美國攝影師,出生於1932年,他是20世紀攝影界的先驅之一,以他獨具特色的劇情表現得拍攝形式加上虛焦的拍攝手法給予了藝術攝影更豐富的表現形式。作品被美國、以色列等多地博物館收藏。
Duane 最初拍攝紀實攝影,而在拍攝了幾年的紀實攝影之後他發現:紀實攝影大多記錄拍攝下了事物的外表,很難表現出隱藏在這些事物裏的內在的核心和本質。Duane說:“我經常對現實世界發生一些疑問。攝影卻從來不向現實世界提出任何問題。就好像老是在照一個盒子,卻從來不去問一問盒子裏到底裝的是什麼。”他甚至大膽斷言:“一切事物都一樣,你不可能從表面就能看出事物的真實的面目。”
Duane的作品作多為組照,有些可能六七張,有些則多達二十幾張。他的代表作《一個死者對生者的訪問》、《人吃人》、《似曾相識》、《一個人在宇宙中得位置》等都非常經典。
Duane的拍攝手法是一種荒誕的劇情攝影,這種攝影手法的優勢在於能給觀者一種不一樣的觀看享受或者觀看體驗。對於商業攝影來說,最重要的無非是通過攝影作品,能將廣告展示的產品留在觀者的印象中,能勾起觀者的購買欲望。
Duane的拍攝手法也能做到這種效果,並且會做的更好。引導觀眾審美的是傳媒,當觀眾們對於現在這種氾濫的美已經有些麻木和厭倦的時候,不一樣的“美”會給觀眾一種視覺上得震撼和心靈上得衝擊。攝影是互通的,好的報導攝影作品在某些情況下可以稱為一種藝術攝影或是商業攝影,同時商業攝影也可以拍成藝術攝影。
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