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即便是纪实摄影,仍然不过是最直接主观的视觉日记。
身处这个客观的世界,我们看到它的样子事实上只是我们顾影自怜的模样。“我的摄影不过就是以相机为媒介的自画像,是我生活的一部分” 安德斯皮德森|Anders Petersen (1944年-今) 是当代主观纪实流派里深具影响力的人物。
极富有张力的与被摄者的互动关系,拍摄从来不用脑袋计量,而是从心而发,每一下快门都是他纵身一跳在具体环境里释放自己的光与影。他挑衅的是观者的爱,快乐,欲望,同情心,孤独,不安,哀伤,困惑,而且他扔出来的只是问号,没有答案。
Cafe Lehmitz是安德斯早期的作品,他的20年华有一半是耗在德国汉堡的这一家小咖啡厅里。战后的德国,每天都有活在爱与痛边缘的形形式式的人物走马穿花地来到Cafe Lehmitz,他们以没有明天的方式狂欢,安德斯以镜头拥抱他们并以此成为其寻获赤裸直接表达方式的第一个驿站。
评论 4 :
Zalika
没有周五的无人岛
简JANE
摄影师大宇