[{"img":"1608/23/ff6df134e53f383fae26d4d32c229d29.jpg","width":800,"height":566,"content":"","text":""},{"img":"1608/23/a05c6c2c04ea30a59ec4b4d77a3dfbac.jpg","width":800,"height":566,"content":"","text":""},{"img":"1608/23/d88dd400516e3204a4e184aa6e051308.jpg","width":1218,"height":900,"content":"","text":""},{"img":"1608/23/d0c98b1055cf31f1a5628af6df0cfb0c.jpg","width":800,"height":600,"content":"","text":""},{"img":"1608/23/3b8ed5cb45113d7faf21a7ce7ffd7565.jpg","width":800,"height":600,"content":"","text":""},{"img":"1608/23/5b9ae2452bc33d8996df2634ebf812bc.jpg","width":800,"height":600,"content":"","text":"《眩晕》"},{"img":"1608/25/6b7f68948dca3108bcb127d2a658246a.jpg","width":741,"height":1000,"content":"","text":""},{"img":"1608/25/eca49dcd8da43cb09566ddb7401afa5e.jpg","width":960,"height":710,"content":"","text":""},{"img":"1608/25/3a63593a32f73e689bc76c6ecae61829.jpg","width":960,"height":710,"content":"","text":""},{"img":"1608/25/5ed58eab0d693c0e9666928314c273d1.jpg","width":960,"height":710,"content":"","text":""},{"img":"1608/25/4a5e7532b39730c5a81a7b7748296fca.jpg","width":1000,"height":1351,"content":"","text":"《地点|云》"},{"img":"1608/25/ca7b6a1a20f3386a81c6a15c86036933.jpg","width":800,"height":592,"content":"","text":""},{"img":"1608/25/25ef318ca0ba342fb31d1098f281bcfe.jpg","width":800,"height":592,"content":"","text":""},{"img":"1608/25/08522f2142c63c4e868f5466b8ed04b2.jpg","width":800,"height":592,"content":"","text":""},{"img":"1608/25/edcb68457ffe30f098a9b8f5e56322fa.jpg","width":800,"height":592,"content":"","text":""},{"img":"1608/25/c5e2f7f4d32432978c8b40b66235a599.jpg","width":800,"height":592,"content":"","text":"摄影总是将自己隐藏在画面呈现的主题后面: 它善于欺骗观众。我们看到的影像实际上只是一个摄影人所选择的巧妙处理结果。
横田通过放大摄影过程的本身,刻意地将反复操控的痕迹留在作品上提醒我们摄影扭曲所谓真相的本质。换句话说,横田如此明显的添加各种“人为”图层让我们清晰地看到摄影阐述的画面或许有一部分是真的,但绝对也撒了很多谎。而正因为横田将其虚假性赤裸地公诸于世,反而显得真诚坦荡无比。
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横田大辅 | Daisuke Yokota (1983年-今) 无疑是一颗日本摄影新世代的星星。他将摄影作品做为创作材料来利用,加以各种唯一性的原创手工后期,呈现出极其与众不同的视觉效果。
传承日本式的经典摄影语言:黑白,高反差,情绪张力;那是第一眼。仔细看他的作品, 每一张都处处可见格外巧妙,似乎细心安排但又明明是不合逻辑的天马行空人为痕迹。
横田的创作可以说是将摄影技术的条条框框踢飞九霄云外。以其一鸣惊人的《后院》为例,他以黑白胶片翻拍彩色数码,然后在自家洗手间各种漏光,刻意用过热的药水冲晒胶片,泼酸水,撒铁粉,加上灰尘和刮痕,各种无以复制的瑕疵,再翻拍......直到出现他心目中的影像为止。
评论 2 :
公子浩
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