[{"img":"1704/26/2e73074946c5369cb1f6d7b7a306f12b.jpg","width":1200,"height":951,"content":"","text":""},{"img":"1704/26/29f23b5680a0335b88094680e48f600d.jpg","width":1125,"height":900,"content":"","text":""},{"img":"1704/26/f894c411415530489a5cad09e70bd2b2.jpg","width":800,"height":626,"content":"","text":""},{"img":"1704/26/3c9224b13d4a3c8fa8b43fb437e56c49.jpg","width":1125,"height":900,"content":"","text":""},{"img":"1704/26/0bfbcce106f6344d8903bfe757fd8b58.jpg","width":1200,"height":940,"content":"","text":""},{"img":"1704/26/e05fe7ff826a33cc9b61281d00b011bc.jpg","width":1200,"height":936,"content":"","text":""},{"img":"1704/26/9b101522b53533db95e441a44f3353d5.jpg","width":1155,"height":900,"content":"","text":"乔的彩色人物是其多年来对美国空间场景记叙的延续,是冷面肖像的先驱。安全的距离,强调客观的角度,无安排痕迹的各类路人,模糊的社会类型,刻意抵抗着看官们习惯从外貌衣着对人物性格的期待。最终,我们能够达成共识的是美国人身份的复杂多样性。
《陌生过客》十五年旅途中遇到的人。"},{"img":"1704/26/26df87fa5e173bbfbb40927586532707.jpg","width":715,"height":569,"content":"","text":""},{"img":"1704/26/20687922c56138e5989cc4d3bde32d1c.jpg","width":1200,"height":955,"content":"","text":""},{"img":"1704/26/d13e4b673c963c49b372855b815ba27f.jpg","width":1000,"height":786,"content":"","text":""},{"img":"1704/26/9374fc49863a358eab99b3c9f85b50a4.jpg","width":815,"height":1033,"content":"","text":""},{"img":"1704/26/4a429ea4185b317e89ce6b907890a797.jpg","width":900,"height":1129,"content":"","text":""},{"img":"1704/26/8cecc278ee1f3a99a80dfe6857625d33.jpg","width":610,"height":482,"content":"","text":""},{"img":"1704/26/d615805ead7b35af988c35a584dc6461.jpg","width":714,"height":564,"content":"","text":""},{"img":"1704/26/ee9e1ad41b5d3b0fb7eeddac85b55f71.jpg","width":769,"height":600,"content":"","text":""},{"img":"1704/26/e3055515ae0c377ea82fadf04533160d.jpg","width":900,"height":1126,"content":"","text":""}]
美国乔·斯坦菲尔德|Joel Sternfeld (1944年-今) 以大幅摄影和充满表现力的色彩从70年代起成为彩色摄影的重要影响人物之一。
乔的脑袋里应该安装了一个关于精密色彩的度量衡,他通过对色彩的严谨控制利用来更全面地表现作品情绪和内涵这件事在70年代是股新颖的风潮。
乔的独到之处还在于他既回流大幅摄影又同时采用先锋代表"色彩"来进行纪实创作,远距离观望,冷静地见证事件,故事性地记叙,衍生出了一种开创性的纪实叙事语言。
《美国景象》
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