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影像馆材料刻意追求白，白色作为一种观念，能最大程度降低材料本身固有色对空间中其他成分的干扰且不丧失其清水混凝土本身的质感；白色某种程度还是对“空”的表达，既是对馆内艺术品的强调，又为艺术品的选择预留更多的思考空间与可能性。
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